5 things telenovelas can teach you about writing

 

Kate del Castillo the Queen of telenovelas 

(Photo (c) Netflix)

I came across some telenovelas on Netflix - and now I'm hooked. 

In case you don't know what a telenovela is, it combines the words television and novel for good reason. A telenovela is a serial drama mainly made in Latin America so usually in Spanish. Usually there's a hint of soap opera about them and they are very dramatic. 

My favourites so far have been Ingobernable (starring Kate del Castillo the Queen of telenovelas as the First Lady of Mexico), La Reina del Sur (the English language version is Queen of the South and it's about Teresa Mendoza who goes from grieving woman to drug lord - also played by Kate del Castillo) and The Marked Heart (A woman who's given the heart of a young mother who is murdered for her organs becomes part of her reluctant donor's family life). 

Watching them isn't just entertaining, it's also taught me a few things about writing - 

Telenovelas have lots of "WOW" moments 

1. How to keep people interested by using twists and turns - telenovelas seem to have a twist every 5-minutes. There is never a dull moment. If a telenovela was a book you would never put it down. At least not because you were bored. 

2. Having lots of characters isn't necessarily a bad thing - when it comes to the plot it gives you much more room for manoeuvre. Characters that seem like peripheral ones at the start can be given more of a storyline that can be just as good as the main storyline. Many characters means lots of threads to pull. Lots of subplots. 

Too much telling not showing in dialogue

3. How not to write dialogue - one thing that's very noticeable about telenovelas is the use (or should that be abuse?) of information dumping in dialogue.

Example - "I know that you found the letter in the jewellery box and read it and found out about me stealing the baby from the woman who lived downstairs."

Give your big reveals time to breathe

4. Give your big reveals time to breathe - they don't tend to do this in telenovellas which often means the big "WOW" moment you get is so fast you don't get to savour it. When writing your novel, give readers the chance to think, "WOW, I didn't see that coming" and to react to their surprise and absorb what it means for the story. 

5. Think about the music that would accompany the scenes in your novel - Telenovelas make use of music to illustrate what's happening in the story very well. 

Butcher City - (Detective in a Coma Book 2) gets reviewed by Mystery People

 

Published by Diamond Crime, 
28 September 2022. 
ISBN: 978-1-91564915-7 (PB)

DI Duncan Waddell is facing the most bizarre case of his career.  It seems that a killer is stalking victims on Glasgow’s streets.  Men unfortunate enough to be caught are being abducted, tied up, force-fed, then strangled and their livers removed. 

The first indication is a reported kidnap – the victim is Kevin Drummond, a well-known career criminal, who has been found unconscious near a hospital.  When he comes to, he claims that he had been abducted, but had managed to escape - his story is supported by physical evidence, but he is very confused and does not know who he is.  However, he does insist that his abductor apologised for making a mistake.  Then another victim is found - Daniel Adams.  The investigation into this murder reveals some unexpected information, but does it support the idea of a serial killer, or is there something else behind the killings? 

During the investigation, Waddell, as is his habit, visits his friend and colleague at the Intensive Care unit, where he has been since receiving injuries which had left him comatose.  Waddell updates Stevie on his current case and they talk things over.  Waddell seems at ease with this unusual and unlikely state of affairs, but no-one else, staff or family, knows about it.  For them the question is how long Stevie will be kept on life support if there no evidence of any improvement in his condition. 

The story moves forward with a number of unexpected events before the individual ribbons of evidence are neatly tied up and provide a disturbing solution.  The characters are well-developed, all adding their own flavour and knowledge to the investigation.  Waddell holds his team together and deals with the twists and turns confidently.  This is the second in the Detective in a Coma series and it will be interesting to see how the storyline involving the actual detective in a coma is handled.  
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Jennifer Lee Thomson is an award-winning crime writer who has been scribbling away all her life. She also writes as Jenny Thomson and is an animal and human rights advocate.

Jo Hesslewood.  Crime fiction has been my favourite reading material since as a teenager I first spotted Agatha Christie on the library bookshelves.  For twenty-five years the commute to and from London provided plenty of reading time.  I am fortunate to live in Cambridge, where my local crime fiction book club, Crimecrackers, meets at Heffers Bookshop .  I enjoy attending crime fiction events and currently organise events for the Margery Allingham Society.

Butcher City is available on Amazon and all good book shops. Click here for details